Art Tatum – Book Score, Biografy of one of the most important Jazz Tenderly. Original sheet music with cover, from the movie “Torch Song”, with Joan Crawford . Watch the video for Tenderly from Art Tatum’s The Complete Pablo Solo Masterpieces for free, and see the artwork, lyrics and similar artists. Tenderly. By Art Tatum. • 1 song, Play on Spotify. 1. Tenderly The Art Tatum Solo Masterpieces, Vol. Listen to Art Tatum in full in the Spotify app.

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Lester interviewed many of Tatum’s contemporaries for the book and drew from many articles published about him. Jazz soloing in the s had not yet evolved into the free-ranging extended improvisations that flowered in the bebop era of the s, s and beyond. Jazz pianist Oscar Peterson requested a live presentation, which he heard in an emotional re-performance in his home in March If you speak of pianists, the most complete pianist that tdnderly have known and possibly will know, from what I’ve heard to arg, is Art Tatum.

Early in his career he was required to restrain himself when he worked as accompanist for vocalist Adelaide Hall in However, the soundtracks were srt off-air by Tatum renderly at the time, and many are included in Storyville Records extensive series of rare Tatum recordings. Portrait Cd8 – Elegy. His protean style was elaborate, pyrotechnic, dramatic and joyous, combining stride, jazz, swing, boogie-woogie and classical elements, while the musical ideas flowed in rapid-fire fashion.

He didn’t make a big show of moving around and waving his hands and going through all sorts of physical gyrations to produce the music that he produced, so that in itself is amazing.

Invocalist Adelaide Hall commenced a world tour that lasted almost two years.

Art Tatum – Tenderly – KKBOX

The Tatum Hampton Rich Trio. I mean, what could I add? Billy Taylor has said that he could make a bad piano sound good. Tatum appeared in the movie The Fabulous Dorseys, first playing a solo and then accompanying Dorsey’s band in an impromptu song. There was too much going on — both hands were impossible to believe. But he got tstum ideas from Earl’s style of playing – but Earl never knew that.

Inhe returned to New York where he appeared at clubs and played on national radio programs. Tatum’s repertoire consisted mainly of music from the Great American Songbook — Tin Pan Alley, Broadway and other popular music of the 20s, 30s and 40s.



He frequently played for hours on end into the arh, to the detriment of his marriages. Nevertheless, transcriptions of Tatum are popular and are often practiced assiduously.

These interpretations are unsurpassed in conception and inventiveness by anything that has been recorded since. Tatum is widely acknowledged as one of the greatest jazz pianists of all time, and he was a major influence on later generations of jazz pianists.

The effortless gliding of his hands over difficult passages puzzled most who witnessed the phenomenon. He’s a good guy to play for any musician, you know. But what also emerges is Tatum’s effervescence, his joy, and his humor.

Rainey, who too was visually impaired, likely taught Tatum in the classical tradition, as Rainey did artt improvise and discouraged his students from playing jazz.

Perhaps the most famous is the story about the time Tatum walked into a club where Fats Waller was playing, and Waller stepped away from the piano bench to make way for Tatum, announcing, “I only play the piano, but tonight God is in the house. When jazz pianist Stanley Cowell was growing up in Toledo, his father prevailed upon Tatum to tenderl piano at the Cowell home.

Tatum drew inspiration from the pianists James P. He developed an incredibly fast playing style, without losing accuracy. Earlier, Tatum had personally selected and purchased for Clarence Baker the Steinway piano at Baker’s, finding it in a New York showroom, and shipping it to Detroit.

His ttum of popular songs were exuberant, sophisticated and intricate. The sounds that Tatum produced with the piano were also distinctive.

More by Art Tatum

Tatum embellished melodic lines, however, with an array of signature devices and runs that appeared throughout his repertoire.

Total Yearly Tarum Weekly. During the tour, Gatum discovered Tatum in Toledo and employed him as one of her stage pianists. Hank Jones said, “When I finally met him and got a chance to hear him play in person, it seemed as if he wasn’t really exerting much effort, he had an effortless way of playing.

Tenderly, a song by Art Tatum on Spotify

Someone To Watch Over Me. He worked some of the upper extensions of chords into his lines, a practice which was further developed by Bud Powell and Charlie Parker, which in turn was an influence on the development of ‘modern jazz’. Charlie Parker who helped develop bebop was highly influenced by Tatum.


Tatum could also play the blues with authority. Johnson and Fats Waller, who exemplified the stride piano style, and from the more “modern” Earl Hines, six years Tatum’s senior. InTatum moved to the Columbus School for the Blind, where he studied music and learned braille. He used to buy all of Earl’s records and would improvise on them. Tatum posthumously received the Grammy Lifetime Achievement Award in Stanley described the scene as, “Tatum played so brilliantly and so much. A child prodigy with perfect pitch, Tatum learned to play by ear, picking out church hymns by the age of three, learning tunes from the radio and copying piano roll recordings his mother owned.

He sometimes improvised lines that presaged bebop and later jazz genres, although generally not venturing far from the original melodic line. Boulevard Of Broken Dreams. Then you get all the finest jazz pianists in the world and let them play in the presence of Art Tatum.

Although recording opportunities were somewhat intermittent for most of his career due to his solo style, he left copious recordings. He was an innovator in reharmonizing melodies by changing the supporting chord progressions or by altering the root movements of a piece. Benny Green wrote in his collected work of essays, The Reluctant Art, that “Tatum has been the only jazz musician to date who has made an attempt to conceive a style based tender,y all styles, to master the mannerisms of all schools and then synthesize those into something personal.

Although Bud Powell was of the bebop movement, his prolific and exciting style showed Tatum influence. Tatum also pioneered the use of dissonance in jazz piano, as can be tendetly, for example, on his recording of “Aunt Hagar’s Blues”, which uses extensive dissonance to achieve a bluesy effect.

Arrt once said, “I wish I could play like Tatum’s right hand!