Chords for Andy Timmons Cry For You. the above link, please try opening the link in an incognito tab or clearing your browser cache and refreshing the page. Cry For You by Andy Timmons tabs, download and listen on Loop and slow down this Rock phrase, use backing tracks, scale diagram and our tab editor to analyse guitar tab and transpose.

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And I’ll do that a lot as well.

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I’ve heard the track before, but I’m reacting to what he’s doing. Right after that there’s another little melodic technique I use a lot, and it involves sliding into a note.

What might sound cool with that. And that’s part of improvisational development, it’s not just playing what you know and what you hear. And the top dry, the A natural, is that major seven which is a really beautiful tone. You can hear how I’m slapping the string on the fretboard.

I’m not really sure if that’s the proper terminology folks. You can do it with bending too. So that’s blending together motivic development, some horizontal playing.

Andy Timmons Cry For You Guitar Tab Pdf Download

That’s the beauty of any time you learn a little nugget of something, and I consider this a nugget, and I’m learning something from it too because I haven’t isolated it like that before, but I enjoy that exploration. It’s basically the minor pentatonic with one extra note, so you’ve got a six note grouping. And I believe that’s how I ended the phrase, in some kind of ascending and then got into some Jimi Hendrix. Again, something that Albert King and Stevie Ray employed quite a bit. Cart Join Free Log In.


In this case the E natural over the Timkons minor. Let me also point out that I’m utilizing mostly the minor pentatonic and I’m adding the ninth scale degree. This whole melody’s happening only on the G string. That’s one of my favorite licks, where I’m bending up to the unison, then pulling down on the Foe string. Default View Soundslice Classic. I really like that feel of superimposing the triplet.

I did another hybrid picking bend where I’m using my middle finger gripping underneath the high E string pretty stiffly. You have no notifications. So, if we have a rcy scale and we add a note, I guess it’s a sexatonic. I made a melodic statement and then I figured out a way of reincorporating that statement in some way to give the listener something to grab on to. Now I’ve analyzed it and I’m going to break it down for you. Check out as many times as you’d like during your minute window.

So I’m playing the A, grabbing the B flat, rearticulating the A. How it Works You have 60 minutes to shop and complete your order! Instinctually you will develop that sense of what’s appropriate at the time.


Again, underscoring how much I do that and how much I love the sound of how vocal that can be. It just happens to be two notes you’re naturally going to play even if you’re just sticking to the minor pentatonic. I got into a very lengthy triplet feel. And it’s because the notes are sounding at the same time, where normally it can sound a little disonant, but if it’s used in a phrase where there’s motion happening it’s effective. Get it on Google Play.

In this case, I slid from the G to the A, then grabbed that B flat note. So that’s another cool little technique, you can make an exercise out of it. When I’m playing it on the track listen to how I’m interacting with what Simon’s doing on the drums. Let’s go through the D aeolian scale and see what we find. And then grabbing the note above it that is the next consecutive scale tone, so tzb a major or minor second note cluster basically.